Yes, it’s among the most irresponsible films ever released by a major studio (the New Orleans gay community really didn’t kill JFK), but the craftsmanship remains infuriatingly impressive. Still as ingenious, exciting and entertaining as it was 40 years ago, Spielberg’s second film exploited a gift for dread that he made insufficient use of in succeeding pictures. Hellboy (Ron Perlman) teams up with aquatic telepath Abe Sapien (Doug Jones), elf princess Nuala (Anna Walton), a German psychic (Seth MacFarlane) and long-time love Liz (Selma Blair) for a big row in Northern Ireland. Herzog’s documentary on Timothy Treadwell, a young man who got too close to the bears he loved, allows the great man an opportunity to clarify and explore his famous pessimism. Kick off your Sunday shoes!Īffleck’s directing career began to eclipse his acting career with this powerful adaptation of Dennis Lehane’s novel concerning a kidnapping in Boston. The veteran director and choreographer Herbert Ross hit Reagan-era gold with this still-delightful musical about a town that has banned dancing. Good call, dude! FIGHTINGĪ smooth-talking Terrence Howard lures struggling street kid Channing Tatum into the underground fighting circuit in a film of gritty visuals and tremendous performances. Universal Studios first approached David Lynch to adapt, before handing the project to Heckerling ( Clueless). Rolling Stone journalist Cameron Crowe went undercover for a year at a San Diego high school to write nonfiction bestseller Fast Times at Ridgemont High. Amy Adams channels Julie Andrews and Viola Davis cries with actual snot. Meryl Streep’s dragon-lady nun goes head-to-head with a suspected paedophile priest (Philip Seymour Hoffman). Now widely revered as a subversive feminist text. In the summer of 1963, a well-heeled teenager (Jennifer Grey) falls for her dance instructor (Patrick Swayze). (Jim Abrahams, David Zucker and Jerry Zucker, 1980) Preteen Conor is struggling with his mother’s illness, a no-nonsense granny (Sigourney Weaver) and nightly visits from a storytelling giant (Liam Neeson). But it's getting there.įantastic animated steampunk epic set in an unspecified post-apocalyptic future in which “stitchpunk” puppets take on rampant killing machines.
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The Irish service hasn't quite caught up with the bountiful UK equivalent. Hence this handy cut-out-and-keep (meaning look-up online) guide to the 50 best films on APV. As any regular user can attest, APV is an eclectic bazaar, a marketplace where stately award-winning documentaries (1982's Genocide) co-exist with barmy conspiracy woo woo ( Alien Reptilian Legacy, Hitler's UFOs), and where undeserving Oscar winners ( Chicago, Out of Africa) rub shoulders with financial catastrophes ( Freddy Got Fingered, Cool World).
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When Amazon Prime Video belatedly launched in the Republic of Ireland – some 10 years after its UK bow – Irish customers were thrilled to finally avail of Mr Robot and Transparent and, erm, Mr Robot? Happily, Netflix's main rival has come on in leaps and bounds since that threadbare debut.